Filippo Tincolini, with his Spaceman, a symbolic work of the Flowered Soul series, reinterprets the famous 'Laocoonte Group' depicting the dramatic episode narrated in the Aeneid where the Trojan priest...
Filippo Tincolini, with his Spaceman, a symbolic work of the Flowered Soul series, reinterprets the famous "Laocoonte Group" depicting the dramatic episode narrated in the Aeneid where the Trojan priest Laocoonte and his sons are attacked by sea serpents.
In "Spaceman Laocoonte," Laocoonte and his sons are no longer mythical figures, but astronauts in space suits. A change of context that brings with it a new and contemporary meaning: the sea serpents are replaced by tendrils of flowers and leaves, symbols of untamed and luxuriant nature fighting against technology and artificiality.
Tincolini sculpts these figures in marble, maintaining the majesty and dramatic power of the original, but enriching it with contemporary symbolism. The space suits, emblems of technological progress and human exploration of the unknown, are invaded by vegetation, drawing attention to the eternal struggle between nature and technology, between mankind's aspiration to surpass its own limits and the need to reconnect with its natural roots.
The flowers and leaves emerging from the space suits represent the vitality and strength of nature, which cannot be completely tamed or ignored. In its struggle against the tendrils of flowers and leaves, the Spaceman himself becomes a figure of the past, a symbol of an era to be overcome. The work thus becomes a testament to the need to find a balance between innovation and respect for the natural world.
In an age where scientific and technological progress advances at unprecedented rates, Spaceman Laocoön suggests that, as humanity moves towards new frontiers, it must carry with it the wisdom of the past.
We will process the personal data you have supplied to communicate with you in accordance with our Privacy Policy.
You can unsubscribe or change your preferences at any time by clicking the link in our emails.