Filippo Tincolini, with his works, proves to be a "new" artist! Witness of art history and sculptural tradition, he is capable of organizing creative work around an idea to answer the questions that we have always asked ourselves in our "being in the world", starting from the eternal confrontation between man and nature. With irony and lightness, Filippo retrieves a ritual dimension, open to the other, and breaks the self-referentiality of art, guiding the viewer in the interpretation of the work.
Filippo Tincolini's works rightfully fall into the two main areas of contemporary sculpture: that linked to the physicality of materials - although distant from complete figuration - and the other adhering to pop, dada, and neo-dada dynamics that have taken the common object/subject and raised it to the level of artistic value, overflowing into the fields of design, installation, and architecture.
And precisely in the more pop declination of his works, Tincolini abandons marble, his preferred material, to embrace resin and fluorescent colors, courageously entering the cultural dialogue of contemporary art.
Thus, a third way emerges, a personal form of imagination formally embodied in all his sculptures, a sort of imaginative abstraction with which the artist aims to create a contemporary neo-ritual universe. The aim is to evoke wonder in the viewer and counteract the widespread narcissism fueled by our hypermedia society.
The aspiration is not to change the history of art but to show new forms that link the past to the contemporary, stimulating reflection.
